It’s A Woman’s World

Our way of life
has hardly changed
since a wheel first
whetted a knife.

Maybe flame
burns more greedily
and wheels are steadier,
but we’re the same:

we milestone
our lives
with oversights,
living by the lights
of the loaf left

by the cash register,
the washing powder
paid for and wrapped,
the wash left wet:

like most historic peoples
we are defined
by what we forget

and what we never will be:
star-gazers,
fire-eaters.
It’s our alibi
for all time:
as far as history goes
we were never
on the scene of the crime.

When the king’s head
gored its basket,
grim harvest,
we were gristing bread

or getting the recipe
for a good soup.
It’s still the same:

our windows
moth our children
to the flame
of hearth not history.

And still no page
scores the low music
of our outrage.

Appearances reassure:
that woman there,
craned to
the starry mystery,
is merely getting a breath
of evening air.
While this one here,
her mouth a burning plume –

she’s no fire-eater,
just my frosty neighbour
coming home.

“It’s a Woman’s World”

by Eavan Boland

Eavan Boland is a female Irish poet born in 1944. Boland studied at Trinity College in Dublin during the 60s, eventually going on to publish her first book of poetry, “23 Poems”, in 1962 while still a student.

Dominant among the themes she writes about is the troubled place that women hold in Irish culture and history, Boland has always aimed to portray with honesty the female experience.

Her poetry is notable for subverting traditional ideas of womanhood, often in the context of Irish history.